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Showing posts with label photoshop. Show all posts
Showing posts with label photoshop. Show all posts

Wednesday, 18 June 2014

Easy Folded Banner Vector Shape in Photoshop

logo_banner
First published at TipSquirrel.com by Eric Renno

The folded banner is a popular feature at the moment so it was no surprise that I was asked if I could come up with an easy way to create one. The result is not only easy but is created entirely with vectors which means its scalable while remaining  completely editable. Don't panic if you're not used to using vectors, there's nothing that a beginner won't be able to handle here, yes I use the Pen tool but to make just a single click. The circular 'Coffee' logo here is the result of another tutorial, Text on a Circular Path which you can find here. This tutorial was produced in response to a reader question. If you have a question you can email, comment or use the contact page to drop us a note.

Friday, 9 May 2014

What Are Linked Smart Objects?


01_linked_smart_objects_photoshop

Originally posted at TipSquirrel.com 

Photoshop Nut : Eric Renno

In a recent update to Photoshop CC Adobe introduced Linked Smart Objects. They work the same as Smart objects but with a unique, and helpful difference, they link back to the source, let's look at an example; (Not familiar with regular Smart Objects? Here's an explanation)


   02_linked_smart_objects_photoshop


Here I've got an image that I'd like to add a symbol to. Its a separate file and labels this image as a Photoshop Tutorial for beginners. Here it is in Bridge;


03_linked_smart_objects_photoshop


I could Place this as normal, but for this I wonder if I might need to change it later, so I'll use the new Place Linked from within Photoshop;


01_linked_smart_objects_photoshop


I browse as normal and choose the relevant file to Place it into Photoshop.


04_linked_smart_objects_photoshop


05_linked_smart_objects_photoshop


You'll notice that it looks just and behaves like a normal Smart Object.



  06_linked_smart_objects_photoshop


 No change as yet, until we click the tick at the top of the screen, or press return to accept the Smart Object. In the Layers Panel you'll see that the Smart object is there but it has a chain on it rather than that 'sticky note' icon we usually have. This tells us this is a Linked Smart Object.


  07_linked_smart_objects_photoshop


Now I decide that this isn't a Beginners three star tutorial (whatever one of those is, maybe I should start grading them?) and want to change it. Well, as a Smart Object we can of course by double clicking it and opening it as if it were a separate document (If you're ahead of me here you'll know that that's exactly what it is).

Continue reading this tutorial at TipSquirrel.com --->>    

Thursday, 8 May 2014

Steamy Window Effect in Photoshop

TS-Steamy
Originally posted at TipSquirrel.com 
Photoshop Nut : 
 

Photoshop has a fair few filters which, by themselves, seem pretty pointless and can do terrible things to your photos given half a chance.

However if you start mixing them together you’ll discover that they can in fact produce some pretty amazing effects.

In this tutorial I’ll show you how to create the impression of looking through a steamy, misted up window. We’ll use a bunch of standard Photoshop filters including the Fibres and Diffuse Glow effects.

If you’ve never used those before you’re not alone but it’s never too late to discover their power.


Click here to go to TipSquirrel.com

Monday, 5 May 2014

Lightroom 5 – Keyboard Shortcuts

Lightroom 5 Keyboard Shortcuts
Originally posted at TipSquirrel.com 
Photoshop Nut : Michael Hoffman 

Everybody loves keyboard shortcuts, and today on TipSquirrel, we have Lightroom 5 Keyboard Shortcuts for you!

Learning keyboard shortcuts can help boost your productivity and can be the key to a smooth and consistent workflow. In addition, you’re taking some of the work away from your mouse, and that can be a benefit if you tend to suffer from repetitive motion stress.

There are a few Lightroom 5 keyboard shortcuts everyone should know – for example, the big three in my mind are “G, E, D” (for grid view, loupe view, and develop module view). And there’s “R” for the crop tool. But there are oh, so many more Lightroom 5 keyboard shortcuts.

The attached reference chart, in PDF format, is available for you to download, and it contains a list of no less than 6 pages of keyboard shortcuts, organized by Lightroom task, and easily searchable.


Saturday, 12 April 2014

Lightroom Mobile Quick Setup Guide

Originally posted at TipSquirrel.com 
Photoshop Nut : Michael Hoffman 


Lightroom Mobile
As you may have noticed, Adobe has just released Lightroom 5.4, along with the new Lightroom Mobile for iPad. Lightroom mobile extends your workflow beyond the desktop, and onto your iPad, where you can review, rate and even edit your images, and have the changes synchronized automatically back to your main catalog.

Lightroom uses the Creative Cloud storage services as the hub for this synchronization, and as a result, you must be a member of one of the subscription services for this to work, including any of the Creative Cloud plans, or the Photoshop Photography Program.

The iPad app is completely free, so this is just another benefit of the Creative Cloud subscription. Lightroom Mobile uses Collections as the basis for synchronization, so make sure you are familiar with using Collections in Lightroom to support this workflow.

Setting up Lightroom Mobile isn’t very difficult, but there are a few things that must be done in the proper sequence for it to work. Let’s step through the basics of getting things rolling.

First, download the new programs

You’ll need to download and install the new update for Lightroom 5.4 for your desktop. You can find it here:
You’ll also want to download Lightroom Mobile for iPad. You can find it here:
Once you’ve completed the downloads, you’re ready to move on.

Next, configure Lightroom on the Desktop


When you start Lightroom 5.4, you’ll notice a change where the Identity plate used to be. Now, there’s a new identity section with a place for you to configure your settings with Lightroom Mobile.

Lightroom Mobile - 01



Clicking the link to “Get started with Lightroom mobile” beings up a menu with a selection to enable you to sign in with your Adobe ID:


  Lightroom Mobile - 02



Click here to see the rest of this article at TipSquirrel.com, the free website for everything Photoshop


Monday, 17 February 2014

Pen Tool in Photoshop - Path Fundamentals


Originally posted at TipSquirrel.com
 
Photoshop Nut : Michael Hoffman 

image
The pen tool is one of the most powerful means of creating precise selections. In this series of videos, we are going to work our way from the basics to pen tool mastery, but we need to start with the fundamentals. In fact, in this video, I’m not even going to use the pen tool. Instead, we’ll spend our time understanding how paths work in Photoshop, so that when we do start using the pen tool, we’ll be on familiar ground.

 

See more from this series at TipSquirrel.com

Wednesday, 5 February 2014

30 Second Photoshop. 1: Scaled FX



The first of a new series of Photoshop tips and techniques. Let us know what you think!

Wednesday, 22 January 2014

Quick Tip: Reduce Digital Noise with Photoshop

Originally posted at TipSquirrel.com 

Photoshop Nut : Janine Smith

Q: How do I Get Rid of Digital Noise?

A: Have you ever had an image that has bits of color in it that clearly shouldn’t be there? I suppose there are all sorts of reasons they may be there (High ISO, low light…), but all some people care about is that they’re there and they want them to go away! When you see a big splotch of red on a blue shirt, it seems the simple thing to do is to do a Hue / Saturation adjustment, use the dropper to select the red and change the hue and saturation until you have a better match, but the truth is if you do that, the selection won’t be red, it’ll be the same color as the color the splotch is on, or blue. So no go on that. Besides, getting the colors to match, even somewhat, would be a pain, especially if you had a lot of photos taken at the same time, in the same conditions. So, the bad news is you can’t make them just easily go away. You can reduce them, though, and do it pretty fast, too.

 Here’s a close up example of a blue shirt with digital noise:

Noise_2

Splotch blast! Now to reduce the splotch: Start by making a duplicate of the background layer. Change the Layer Blend Mode of this duplicate layer to Color.

  Noise_3

 Now go to Filter > Blur >

Gaussian Blur; start moving the slider over to the right. Don’t pay attention to the preview window, which will begin to blur, rather watch the image itself, which is not blurring, but the colored noise is seemingly fading away.

Noise_4

You’ll know you’re going too far when the image starts to desaturate.

Noise_5

Mask out the areas surrounding the parts where you reduce the noise. There might still be some flaws, but it could be that the remaining flaws are preferable to the splotch!

Noise_6

Tuesday, 21 January 2014

Text on a Circular Path with Photoshop

Coffee Via our Contact Us page The Photoshop Nuts were asked if we could explain how to put text on a circle.

This was covered a while back by Michael Hoffman in his post Working With Type On a Path as a written tutorial but I thought I’d create a video for those that prefer to learn that way too.

In the video, I also explain a technique for creating concentric circles and explain why you’d want to have two windows displaying one image.


Friday, 4 October 2013

Photoshop Workshop


poster5We’re delighted to announce our latest workshop! Run by Eric Renno, this workshop will look at workflow, and making the most out of Photoshop, to take you images from “Dull to Dynamic”.
 As an Adobe Certified Expert, Eric knows Photoshop inside and out and has a few tricks up his sleeve, while his experience as a lecturer (Grade 1 at last observation)  means he knows how to bring fun into learning.
 He’ll be passing on time saving ideas as well as some actions  and presets that he finds useful, all of which you’ll take home with you. This is an all day Photoshop event, sprinkled with activities and fun, with a good supply of tea and coffee. 
To keep the cost down, we’d ask you to bring a packed lunch, but what a place for a picnic! The workshop’s being help at the beautiful Rutland Water Nature Reserve and come rain or shine the view is stunning!
You’ll know by now that we like to keep the cost as low as possible, and that’s true for this workshop too. The price of this workshop is just £70.00 We’d advise you to book early to avoid disappointment and to make sure you get to enjoy this fab day out!

Monday, 13 May 2013

Hand Painted Border Brushes For Photoshop

photoshop border gavin hoey
Originally posted at TipSquirrel.com 
Photoshop Nut : Gavin Hoey


I’m a sucker for a border and Photoshop has a raft of ways in which you can create a border from scratch. The only downside with some Photoshop border effects is they can look digitally created and by that I mean they lack the subtle changes and randomness that only a handmade border provides. So here’s a solution. Paint your own borders and turn them into custom brushes. Since Photoshop CS6 brushes can be up to 5000 pixels long, twice the size of Photoshop CS5 and that opens up a lot more creative possibilities. To get you started we’re sharing the same brush image that you’ll see used in this video. All you need to do is download it.



This will take you to TipSquirrel.com where we'll ask you to Tweet, Plus or post to LinkedIn to reveal the brushes. This is marketing, not blackmail; ;)

Friday, 26 April 2013

Originally posted at TipSquirrel.com 
Photoshop Nut : Howard Pinsky

Many Photoshop users have asked how they would be able to add multiple Strokes, or outlines, to an object. This quick tip will show you how it's possible to add 6 outlines to a single object, using Layer Styles, and a new feature in Photoshop CS6. Starting out, you need a shape. I'm using a simple star shape that comes with Photoshop's Custom Shapes Tool.


  Stroke

 Drop Shadow


Thursday, 4 April 2013

3D in Photoshop CS6 - Materials Properties

Originally posted at TipSquirrel.com
Photoshop Nut : Michael Hoffman

3D_Materials_PropertiesIn the conclusion of this segment, we will look at assigning and modifying properties of 3D objects to define transparency and reflections. We'll create a reflection on the ground plan, and make some basic adjustments to the light in the image to soften the shadows. If you missed the first part, you can find it in my post on 3D in Photoshop – Combining Objects.



Click here to see the other videos in this series


Saturday, 30 March 2013

The Photoshop Show 27 - With Guest Eric Renno


In this edition of The Photoshop Show TipSquirrel Nut Eric Renno is the special guest. More editions of this great show can be found here.

"A bi-weekly web broadcast hangout show. Your hosts Jan Kabili and Ron Clifford along with a featured guest with a specialty in Photoshop and Lightroom, discuss and demonstrate post processing features and techniques and the inspiration behind the art. This show is geared toward beginner and intermediate Photoshop and Lightroom users, though many advanced techniques are also covered."




Friday, 29 March 2013

Step Into Your Image with Photoshop and After Effects

Originally posted at TipSquirrel.com
Photoshop Nut : 
Eric Renno


In this video I take a flat, 2D image and transform it into a 3D image that a camera can pass into. If you’ve not worked with Vanishing Point before then you may wish to take a quick look at Multiple Planes with Photoshop (No 3D Layers). There’s two techniques here, one uses only Photoshop while the second uses Photoshop and After Effects. 

Tuesday, 12 February 2013

Conditional Actions in Photoshop

Originally posted at TipSquirrel.com
Photoshop Nut : 
Richard Hales


The latest update to Photoshop (only available to Creative Cloud users, don’t blame me talk to Adobe, but I probably agree with you) included something called Conditional Actions.  Conditional Actions are a way of adding a clause to an action that will cause another action to run if the clause is applicable or another to run if it isn’t.  Clear?  No, probably not, so I’ll create a real world example to explain more clearly (hopefully).   One thing I end up doing a lot is preparing images for tutorials, this involves using the Save For Web function in Photoshop, in-putting size and quality settings, selecting a place to save the image and then close without saving.  I have two actions to do this for me, one for landscape and square images (the square action works with portrait images too), which means running a Batch command for several images would have been a fiddle and a faff. What Conditional Actions allow me to do is to create a new action that selects which of my two existing actions to run depending on whether the image is landscape or square/portrait.   To do this, open the Actions palette and create a new action (press the new icon at the bottom of the palette or use the palette's pop out menu)

  Create a New Action   

Name it as you wish but make sure that you save the action the set where the actions you are going to use are located.  Don’t worry about pressing record as you do not need to be recording to create a Conditional.   Go back to the pop out menu and click on “Insert Conditional…”   opens the Conditional Action dialogue box

Conditional Actions 

Wednesday, 30 January 2013

Image Variations with Photoshop Gradient Maps

Originally posted at TipSquirrel.com
Photoshop Nut : 
Michael Hoffman



GradientMap-01If you look in Photoshop’s Adjustments Panel, right at the very bottom, in the last position, there is the really technical sounding “Gradient Map.” If you haven’t seen this adjustment in action, or known what it can do, you’d be entirely likely to pass right over it – it sounds complicated. But, it isn't  Gradient Maps are one of the simplest ways of toning or tinting an image. In fact, if you like to tinker with your image, searching for a certain “look,” the Gradient Map can provide a seemingly endless train of color variations, all with a few clicks. Let’s see how it works.

 We’ll start with the image above, and very quickly, we can open the Adjustments Panel and click Gradient Map (Or, if you prefer menus, Image > Adjustments > Gradient Map… will get you there). The adjustment layer is added, and the Property Panel opens, showing the gradient picker and controls:

GradientMap-02
 

At this point, the default gradient is applied to your image, in a very predictable way. Looking at the gradient from left to right, the colors on the left are applied to the darkest tones in your image, and the colors on the right are applied to the lightest tones – with the tones in the gradient “mapped” to the highlights and shadows of the image. With the default black and white gradient, this gives us a black and white image, like so:

GradientMap-03
 

 Now, this in itself isn’t really amazing or surprising – after all, there are dozens of ways to get a grayscale image within Photoshop. No, the variations come as we change the gradient, which is mapped to the image tones. We can click the drop down arrow next to the gradient and pick a different gradient (such as Copper), which is mapped onto the image tones the same way:


Sunday, 20 January 2013

Photoshop Clipping Masks

Astonishing chocolate swirlOriginally posted at TipSquirrel.com
Photoshop Nut : Eric Renno

In this video I take a look at Clipping masks. They are really easy to create and have a whole host of applications. This video was made in response to a question in the Google Plus Community; Photoshop and Lightroom Users where I’m one of the moderators. i think it goes without saying, I’d love to see and chat to you there!





Saturday, 12 January 2013

From The TipSquirrel.com Archive : Shooting Tethered in Lightroom

Originally posted at TipSquirrel.com
Photoshop Nut : Scot Baston

One of the fantastic things about Lightroom is the way it can streamline a photographer's workflow. Lightroom allows the creating of presets and applying them over a complete shoot, even applying those presets on import ( see my previous tutorial). These can save hours of boring, time consuming, repetitive post production that benefits neither the client or the photographer. Recently I had to shoot a series of product shots for a client, each shot would be set up exactly the same and would require the same post processing. Now using presets I could shoot all of the images, import them into Lightroom and apply a preset to all of the images, but the finished images could not be reviewed until the shoot was complete. This might mean going back and reshooting which would be time consuming and expensive. Shooting Tethered A better way would be to shoot tethered in Lightroom. For those that don't know, shooting tethered is having your computer (and Lightroom) connected directly to your camera during the shoot. No more looking at the back of the camera and trying to figure out if the images are in focus, no more massive upload at the end of a shoot, and much less guesswork as to the look of the final image. Most DLSR's today have the ability to shoot tethered using a simple USB cable connected to both the camera and your computer. In my example I had my camera set up on a tripod directly above my studio setup and a USB cable connecting the camera to my laptop & Lightroom.

Setting up Lightroom for shooting tethered

Start tethering 


Friday, 4 January 2013

From The TipSquirrel.com Archive : Vintage Effects with Photoshop

Originally posted at TipSquirrel.com
Photoshop Nut : 


imageJustin Seeley returns to TipSquirrel.com with a video looking at a couple of ways to get a vintage effect using adjustment layers in Photoshop. Don’t forget to check out Justin’s brilliant series’ at Lynda.com where he presents tutorials on a range of subjects from Facebook and Pinterest to Magento Ga and Illustrator!